Search results for " Olivetti"
showing 4 items of 4 documents
Giovanni Pintori. 乔凡尼·皮托瑞 / Giovanni Pintori. Dots, Lines, Surfaces
2010
这是一张Ugo Mulas摄于Bocca di Magra充满 渴望的照片：照片上的Giovanni Pintori侧着身， 逆光打在他的小船上，显现出迷人的几何图案， 驶向充满雾气的公海的小船，主船桅像未出鞘的 剑，帆被风吹得肿肿地鼓了起来。他是一个瘦小 的男人，然而大海非常广阔，显得很不相称，不 过他一点也不畏惧。他与生俱来的勇气使他有魄 力提着行李箱离开撒丁岛，所有的都是从一位岛 上居民那儿听来的，就像要剪断母亲的脐带一样 令人痛苦和不可阻挡。当他离开的时候，他还是 个年轻的孩子，但他凭借一贯的自信成功地走上 了职业设计师的道路，并从不放弃任何一个偶然 得来的机会。 There is a longing photo taken by Ugo Mulas at Bocca di Magra on which Giovanni Pintori, photographed in profile and against the light on his small boat showing a charming geometric décor, moves towards the open sea in the foggy background, with the mainmast which is unsheathed like a sword and without a sail to be swollen by the wind. He is a little and small-boned person, whereas the sea is wide and inco…
Il ruolo della cultura nel progetto comunitario di Adriano Olivetti
2021
Adriano Olivetti (1901-1960) was the promoter of an unprecedented business project that not only concerned the economic sphere, but also included architecture, social development, politics, the value of the person and of the culture. This paper examines the educational role played by culture in the Olivetti’s project as a way of human growth. To clarify the identity of the Olivetti’s culture, various sources were questioned: the personal library, the editorial choices, his coworkers and the good educational practices carried out in the Olivetti factory. These are pieces of a mosaic through which was possible to reconstruct the Olivettian ideal of a culture that, placed at the center of its …
L’impegno educativo della fabbrica Olivetti nell’Italia del secondo dopoguerra. Storia di una comunità responsabile
2015
The Olivetti factory, founded in the 1930s, experienced a total transformation in the post-war period thanks to Adriano Olivetti, who, from 1946 to 1960, created an educational project for modernizing his enterprise and making it more international. Olivetti’s “concrete utopia” was constructed around the idea of a “community”, guiding the life of the factory towards a more conscious and responsible participation, by tending to blur the division between managers and workers and between working and private life. The signs of this corporate revolution were the cultural and social initiatives promoting the worker’s personal and professional development. The social services for children, women, …
«Redacció» de Quim Monzó, i dues de les seues versions cinematogràfiques
2002
The author analyses the parallel components of the brevity parameter between the written and the film narrative, and, at the same time, the languages autonomy that each one involves, starting from the specific performance option in two versions of the tale Redacció (‘Composition’) by Quim Monzó.